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X-WR-CALNAME:Gichigamiin Indigenous Nations Museum
X-ORIGINAL-URL:https://gichigamiin-museum.org
X-WR-CALDESC:Events for Gichigamiin Indigenous Nations Museum
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DTSTART;TZID=America/Chicago:20220511T180000
DTEND;TZID=America/Chicago:20220511T180000
DTSTAMP:20260520T002408
CREATED:20220502T222937Z
LAST-MODIFIED:20220517T195426Z
UID:4723-1652292000-1652292000@gichigamiin-museum.org
SUMMARY:Paha Stitch: Reclaiming the name and restoring dignity to Lakota Beading (click to watch recording)
DESCRIPTION: \n\n\n\n\n\n\nRhonda Holy Bear will discuss her campaign to reclaim the Lakota language and eliminate the derogatory term “lazy stitch”.\n\n\n\n\n\nAbout this event \n\n\nWords we use to define Indigenous histories and traditions have significant meaning and power. Many common yet offensive terms still used today have racist origins to describe Indigenous artistic techniques and practices contributing to cultural erasure. Award-winning Lakota Artist Rhonda Holy Bear is committed to restoring the appropriate terminology and language to describe beading techniques. In this session\, Rhonda will discuss her campaign to reclaim the Lakota language and eliminate the derogatory term “lazy stitch” used to describe long-venerated traditional beading techniques. Rhonda will share how the offensive word was used to imply Lakota grandmothers were “lazy” women whose artwork was unworthy of respect. She will introduce the appropriate term\, “Paha Stitch\,” meaning Hill Stitch or apahaka kagege used to reflect the Lakota values for industriousness and a strong work ethic. Rhonda invites others to change the name to Paha Stitch to honor and preserve the true legacy of Lakota/Plains women. \nAbout the Artist \nRhonda Holy Bear was born in South Dakota in 1959. Rhonda is a Lakota transitional art figure artist. She has been creating figures for over 45 years. She spent her formative years on the Cheyenne River Sioux Indian Reservation in South Dakota and\, later\, in Chicago. Rhonda would eventually move to the southwest\, settling in New Mexico and\, most recently\, Las Vegas\, Nevada. As a youth\, Rhonda researched the work of her ancestors in the vaults of the Chicago Field Museum. Her meticulous research and artistic gifts would establish Rhonda as a notable leader in her field. Her innovative transitional art figures\, a combination of sculpture and traditional techniques\, have elevated the prominence of Plains figures in contemporary Native American art. What were once primarily considered playthings are now highly collectible plains Indian art figures. Her work has been prominently displayed in museums and private collections in United States and around the world. Most recently\, her work has been featured in The Metropolitan Art Museum of New York\, The Smithsonian Institution’s National Museum of the American Indian and at the Art Institute of Chicago and The Field Museum of Chicago. Rhonda was recently honored in a naming ceremony in her native South Dakota. Her Lakota name is “Wakah Wayuphika Win” (Making With Exceptional Skills Woman). \n\n\n\n\n\n\n\nThis is a free virtual discussion series open to our members\, friends\, and visitors. As we continue to work on developing more programs\, please consider donating to the museum. https://gichigamiin-museum.org/donate/ \nFor more information about this program\, please contact: info@gichigamiin-museum.org \n(847) 475-1030 | www.mitchellmuseum.org/events/ \n\n\n                    \n                        \n                        \n                    \n\n        \n        Join us for a screening of the film SHANK\, written\, produced\, and directed by filmmaker Jim Terry\, with music by Peckinslaw. Described as “If Monty Python made John Wick with no money”\, SHANK is a bonkers action comedy you can’t miss. After the conclusion of the film\, there will be a brief discussion featuring artists from the film\, moderated by cast member Aaron Golding. The cast and creative team will reflect on the film’s themes and their experience bringing the piece to life. Light snacks and drinks will be available for purchase\, and all proceeds from this event will directly fund future Sweetest Season programming.     \n\n        \n                        \n        \n                        \n                        \n                        \n                    \n\n        \n                        \n                                                Get Tickets                                        \n                \n            \n\n        \n                    \n                    \n\n        \n                        \n                                                More Info                                        \n                \n            \n\n        \n                    \n                    \n\n        \n                        \n                                                Donate                                        \n                \n            \n\n        \n                        \n        \n                        \n                        \n                        \n                    \n\n    \n\n        \n                        \n        \n                        \n                        \n                        \n                            \n                \n                    \n\n        \n                \n        \n    \n    \n        \n        \n                    \n                    \n\n        \n        Jim Terry is a Ho-Chunk storyteller who’s called Chicago his home for the last ten thousand years or so. His graphic memoir “Come Home\, Indio” was nominated for an Ignatz and was a finalist for the LA Times Bookprize. His comic-book essay “Paper Cuts”\, done in residency at The Newberry Library\, is currently being taught in several schools and he has worked as a comics illustrator for almost two decades with everyone from Marvel to Heavy Metal. This August his prose will be published in the anticipated “Never Whistle At Night 2: Back For Blood” and he just completed the feature length film “Shank”.
URL:https://gichigamiin-museum.org/events/paha-stitch/
LOCATION:Eventbrite Registration Required
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://gichigamiin-museum.org/wp-content/uploads/2022/05/5.2022-Virtual-Artist-Discussion-eventbrite-1.png
ORGANIZER;CN="Gichigamiin Indigenous Nations Museum":MAILTO:info@gichigamiin.org
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220528T120000
DTEND;TZID=America/Chicago:20220528T150000
DTSTAMP:20260520T002408
CREATED:20220526T164244Z
LAST-MODIFIED:20220526T164247Z
UID:4810-1653739200-1653750000@gichigamiin-museum.org
SUMMARY:Indigenous Medicine Garden Clean Up Day
DESCRIPTION: \n\n\n\nJoin us from 12-3pm as we prepare our space for the Indigenous Medicine garden!  \n\nWe are looking for volunteers and community members to help us work in our garden space. Please come ready to get dirty! We have some tools available\, please bring your own if you have any.  \n\nFor more information about this program\, please contact: kimvigue@gichigamiin-museum.org | (847) 475-1030 | www.mitchellmuseum.org/events/ \n\n\n\n\n\n                    \n                        \n                        \n                    \n\n        \n        Join us for a screening of the film SHANK\, written\, produced\, and directed by filmmaker Jim Terry\, with music by Peckinslaw. Described as “If Monty Python made John Wick with no money”\, SHANK is a bonkers action comedy you can’t miss. After the conclusion of the film\, there will be a brief discussion featuring artists from the film\, moderated by cast member Aaron Golding. The cast and creative team will reflect on the film’s themes and their experience bringing the piece to life. Light snacks and drinks will be available for purchase\, and all proceeds from this event will directly fund future Sweetest Season programming.     \n\n        \n                        \n        \n                        \n                        \n                        \n                    \n\n        \n                        \n                                                Get Tickets                                        \n                \n            \n\n        \n                    \n                    \n\n        \n                        \n                                                More Info                                        \n                \n            \n\n        \n                    \n                    \n\n        \n                        \n                                                Donate                                        \n                \n            \n\n        \n                        \n        \n                        \n                        \n                        \n                    \n\n    \n\n        \n                        \n        \n                        \n                        \n                        \n                            \n                \n                    \n\n        \n                \n        \n    \n    \n        \n        \n                    \n                    \n\n        \n        Jim Terry is a Ho-Chunk storyteller who’s called Chicago his home for the last ten thousand years or so. His graphic memoir “Come Home\, Indio” was nominated for an Ignatz and was a finalist for the LA Times Bookprize. His comic-book essay “Paper Cuts”\, done in residency at The Newberry Library\, is currently being taught in several schools and he has worked as a comics illustrator for almost two decades with everyone from Marvel to Heavy Metal. This August his prose will be published in the anticipated “Never Whistle At Night 2: Back For Blood” and he just completed the feature length film “Shank”.
URL:https://gichigamiin-museum.org/events/indigenous-medicine-garden-clean-up-day/
LOCATION:Gichigamiin Indigenous Nations Museum\, 3001 Central Street\, Evanston\, IL\, 60201\, United States
ATTACH;FMTTYPE=image/png:https://gichigamiin-museum.org/wp-content/uploads/2022/05/Medicine-Garden.png
ORGANIZER;CN="Kim Vigue":MAILTO:kimvigue@gichigamiin-museum.org
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